Juan Portrait started out as the local offshoot of the global Help-Portrait initiative, with the single aim of taking photos as a form of outreach for people in need. They're less an NGO than a loosely defined community of volunteers—mainly photographers, some professional, most of them dedicated amateurs. The good that they do is difficult to quantify, but what they want to do is very simple: “Through photography, we aim to take action and give back to the community,” says co-founder Christopher
The group’s first project took them to the Philippine Children’s Medical Center, where they took photos of patients with cancer. That poignant first outing in 2011—which they have since replicated—struck a chord, and, along with the group’s membership, Juan Portrait’s mandate grew, too. After traveling to remote parts of the country for portrait projects and partnering up with other grassroots organizations, the renamed Juan Portrait started the Community Frames project, which allowed photographers to mentor school children.


When the photography mentors unleashed the children, armed with borrowed cameras, back into their world, they brought back some unique and poetic images, sometimes reflecting their secret dreams and aspirations, sometimes just limning their world in their newfound art. “[Children] living in remote villages [find it] easy to perceive visitors from Manila as the prime sources of skill and knowledge. We wanted the communities to know that they themselves have the skill and the talent to produce exceptional work,” says JP volunteer Tata Yap. “Teaching photography to children, and not just making them the subject of photographs, helps them realize their own capacity. It helps them cultivate a sense of self-creation...and hopefully, this sense of self- creation [stays with them], so they can mature knowing that they have the
For more information, log on to Juan Portrait's website. This article originally appeared in the May 2016 issue of Esquire Philippines. Edits and updates have been made
This story originally appeared on Esquiremag.ph. Minor edits have been made