(SPOT.ph) The torture of waiting is over for fans of billionaire artist Taylor Swift—and a new one begins. The Tortured Poets Department or TTPD finally dropped on April 19. TTPD is Swift's 11th studio album, the arrival of which she announced at the 2024 Grammys in February.
Officially introducing the album’s standard version to the world, Swift penned on her social media platforms, “The Tortured Poets Department. An anthology of new works that reflect events, opinions, and sentiments from a fleeting and fatalistic moment in time—one that was both sensational and sorrowful in equal measure. This period of the author’s life is now over, the chapter closed and boarded up.”
She also spoke of the songs in this album as if they’re monuments to her past suffering: “Once we have spoken our saddest story, we can be free of it.”
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Nearly two hours after the album’s release, Department Chairman Swift dropped 15 additional tracks under the package The Tortured Poets Department: The Anthology. She wrote on Instagram, “I’d written so much tortured poetry in the past 2 years and wanted to share it all with you.”
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From the 16 main tracks and four bonus songs on the standard, to the 15 extra ones from its Anthology, Swift covers a lot of ground. Thus, the torment continues for Swifties, who like to dissect, interpret, and intellectualize her songs, as they have much work to do. But no worries if you're a casual listener; you can still appreciate the lyricism of the confessional album—with lines that evoke her exes Matty Healy and Joe Alwyn—even without delving into the Swiftian lore.
Continue reading to view the ten hard-hitting lines we handpicked from the standard version. Yes, Swift has more quotable lines than any quota would allow across the 31 tracks. But let's keep things simple, shall we?
All is fair in love and poetry: Our top 10 hard-hitting lines from TTPD
"I love you, it’s ruining my life" - Fortnight
The title track, which features Post Malone, describes two ex-lovers who still cling to each other despite having families of their own, and the narrator hasn’t completely reconciled herself to the friend zone. This repeated line holds weight to it, albeit sounding dramatic.