Meet the Local Crafters of This Negros-Based Design Company

This design company has been helping uplift lives since '94.

hacienda crafters
PHOTO BY Johanna L. Anes-de la Cruz

(SPOT.ph) The fabled sugarcane fields of Negros Occidental are as lovely in real life as they are on postcards, in photos, or travel brochures—sprawling lands dotted with swaying sugarcane plants that stretch to as far as the eye can see.Ā But the fields aren’t always verdant and abundant, nor is life at the haciendas always sweet and idyllic.

There is what is called tiempo muerto or dead season, a post-harvest lull, with sugarcane taking anywhere between 10 to 12 months to grow. It is also a time whenĀ farmers are left with nothing to do, leaving many of them in dire situations amid a no-work, no-pay set-up.

Hacienda Santa Rosalia
Hacienda Santa Rosalia in Manapla, Negros Occidental
PHOTO BY Christa I. De La Cruz

Tiempo muerto, coupled withĀ the sugar industry crisis in the 1980s, led the husband-and-wife tandem of Joey and Christina "Ina" Gaston to establish Hacienda Crafts, an ā€œenvirosocialā€ design company which has been helping provide a second source of income for sugarcane farmers since 1994.Ā 

Hacienda Crafts: Bringing Life During Tiempo Muerto

Joey and InaĀ live inĀ Hacienda Santa Rosalia, a sugarcane plantation in Manapla, Negros Occidental that is home to about 200 families with members mainly employed in the agriculture sector.

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Gaston House
The Gaston Mansion was built in the 1930s. It stands in Hacienda Santa Rosalia and is often used as a movie location, including 1981 epic Oro, Plata, Mata.
PHOTO BY Christa I. De La Cruz

In an interview withĀ SPOT.ph, Ina shared that Hacienda Crafts’ initial objective was to fill the gap during tiempo muerto, particularly by tapping into the export market because "the volume is there," and they could help more people if there are volume orders.Ā Ā 

When asked how many families have already been helped by Hacienda Crafts through its 29-year history,Ā she said they do not have an exact number. "We count people along our sourcing supply chain—materials, delivery, contractors, etc., manufacturing—weavers, carpenters, welders etc., and delivery value chain, including forwarders, box makers, logistics [among those] we have 'helped'," she explained.

Hacienda Crafts Weavers
Women weavers show off their products made from cogon, which will be exported to France.
PHOTO BY Johanna L. Anes-de la Cruz
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Hacienda Crafts Artisan
A Hacienda Crafts artisan hard at work using capiz shells
PHOTO BY Johanna L. Anes-de la Cruz

DuringĀ Hacienda Crafts’ close to three decades of operations, many families have also been able toĀ send their kids to college, purchase appliances, and build homes. Their work with the company added to their family income.Ā 

"The intangible impact is [enhancing] their pride, self-confidence, dignity, personal income, [giving them] ability to share in decision-making, and empowering them. These are what the livelihood project has been able to provide,"Ā Ina added.Ā 

Lives Uplifted, Dreams Fulfilled

Currently, Hacienda CraftsĀ has about 150 artisans—40 from the Gastons’ Hacienda Santa Rosalia and about a hundred from other haciendas;Ā up to 95% of its total workforce are women.Ā And over the years, itĀ has helped uplift hundreds—even thousands—of lives.

Christina
Christina "Ina" Gaston, co-owner and principal creative director of Hacienda Crafts
PHOTO BY Johanna L. Anes-de la Cruz
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The family of Renato ā€œTelongā€ and Cecil Tolentino are among those whose fortunes have changed for the better since joining Hacienda Crafts. Ina shared that Cecil and Telong areĀ among their first weavers.

"They have two kids, and with their first pay, they were able to bring their family to Jollibee! That was such a thrill for them and something they were longing to afford. With the extra disposable income, their dream to go to Jollibee came true," she recounts, a wistful look on her face.

Eventually, Cecil and Telong were able to save up to buy a sala set for their house and open a sari-sari store.Ā By workingĀ with Hacienda Crafts, they were able to send both their kids to and through college.Ā Ā 

"Today, they no longer weave, but their children have comfortable jobs as OFWs and are able to help their parents in turn," Ina added with a tinge of pride.

Dolores Portillano is also one of Hacienda Crafts’ pioneering weavers.

Hacienda Crafts Dolores Portillano
Dolores Portillano, one of Hacienda Crafts’ pioneering weavers
PHOTOĀ Courtesy of Christina Gaston
Hacienda Crafts Dolores Portillano Family
Lola Dolores with her family
PHOTOĀ Courtesy of Christina Gaston
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"She is a great-grandmother now but still weaves because she continues to earn well from it.Ā  As her family grew, so did her needs. Eventually, her daughter and granddaughter also participated," Ina shared.

As a community-based manufacturer, Ina—alsoĀ the company’s principal creative director—explained that the ladies work from home and at their own pace, minimizing disruptions in their family life.

A more recent success story is that of Vinjeziel Toquero, one of the women from Barangay Celestino Villacin who has recently become part of Hacienda Crafts’ circle of artisans. "This community is still being developed as a potential supplier base targeting the export market," Ina said.Ā 

Hacienda Crafts Vinjeziel Toquero
Vinjeziel Toquero is one of Hacienda Craft’s most creative artisans.
PHOTOĀ Courtesy of Christina Gaston
Hacienda Crafts Vinjeziel Toquero Work
PHOTOĀ Courtesy of Christina Gaston

Ina narrated that ToqueroĀ showsĀ great interest and creativity in learning and honing her crafting skills. "I personally encourage the artisans to develop their own language of craft. And she was able to make tapestries using cogon grass and abaca fiber that grows in the area."

Ina said that Vinjeziel was able to find her voice in her craft, allowing her to return home from working in Manila and back to her family with a renewed hope that she would be able to meet their financial needs through her artworks. "She now receives orders for her work based on the exposure her collaboration with Hacienda Crafts has produced."

Championing Local, Sustainable Materials

Ina has already made a name in the local and international arts and crafts scene for her innovative designs and impeccable craftsmanship, highlighting sustainable and indigenous materials.Ā 

"We use abundant sustainable natural materials that in themselves provide livelihood for those that supply Hacienda Crafts," she explained.Ā 

Hacienda Crafts Lamps
Lamps made from local and sustainable materials adorn the ceiling of Hacienda Craft’s workshop/showroom.
PHOTO BY Johanna L. Anes-de la Cruz

For instance, they use coconut twigs that regenerate every three to four months. Harvesting the twigs cleans the trees and allows fruits to grow. Coconut shells, instead of throwing them away, are also used at Hacienda Crafts.Ā 

Another material that they regularly use is cogon grass, an invasive species that grows everywhere and all the time. "Bamboo poles and branches are abundant natural materials that grow everywhere. We also use buri midrib and leaf, raffia, and buntal fibers—traditionally used to make brooms—capiz shells from a livelihood program in Hinigaran LGU, and more," she enumerated.

Hacienda Crafts Mats
Cogon mats and other items made from cogon grass
PHOTO BY Johanna L. Anes-de la Cruz
Hacienda Crafts Designs
Ceiling lamps are among the most popular items at Hacienda Crafts
PHOTO BY Johanna L. Anes-de la Cruz

According to Ina, they have been able to add value to these materials by using them with respect and highlighting their natural beauty.Ā 

Aside from these, they also use semi-processed natural materials like abaca and raffia fabrics and abaca twine that they source from cooperatives. "This gives these agri-cooperatives a ā€˜market’ to sell their products. We become part of their supply chain," she added.

Ina, who is a BS Architecture graduate from the University of San Carlos, said that she draws her main design inspirations from nature, adding that "be it a shape, a feeling, an experience or story I want to tell." She emphasized: "Inspiration is everywhere if you take the time to notice."Ā 

A glance at Hacienda Crafts’ products, and you would easily notice how their designs are also influenced by Filipino culture and traditions, with Ina sharing that they want to share these with the world.Ā 

Celebrating Visayan and Filipino Cultures

Hacienda Crafts has been exporting since 1996 and has furnished countless homes, hotels, and resorts with its work. ā€œThe bulk of its work is not direct to the consumer but to distributors in USA and Europe,ā€ Ina explained.Ā 

At present, Ina, Joey, and their team have forged various partnerships to further not only the business but also their advocacies.Ā 

Hacienda Crafts, for instance, is a co-founder of The Holistic Coalition of the Willing or HoliCOW based in Cebu City, a platform advocating sustainability principles. HoliCOW is a group of designers, manufacturers, and crafters based mostly in the Visayas, who are ā€œpassionateā€ about sustainability.

Hacienda Crafts and HoliCOW collaborate with partner communities to develop, produce, and market sustainable fair-trade products that tap a community’s skills and resources while supplementing their livelihood.Ā 

They also partner with designers and manufacturers to explore more sustainable production practices and develop products from excess materials that usually get discarded. By consulting and brainstorming with designers, they are able to celebrate their Filipino and Visayan identities through design.Ā 

Some of the other current partnerships of Hacienda Crafts include those with the Association of Negros Producers for peace and order through livelihood projects; Ilaw Atbp for technology solutions; Don Papa Rum for socio-civic initiatives; and Build a Nest USA, an artisan cohort for 2023.

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